Jam, The - Setting Sons - Super Hot Stamper

Jam, The - Setting Sons - Super Hot Stamper*NOTE: There is a mark that plays 3 times loudly approx. 30 seconds into track 2 on side 1, "Smithers Jones." This vintage Polydor pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to "see" the performers, and feeling as if you are sitting in the studio with the band, this

and note-like

I can tell you without question that this particular LP is clearly better sounding than that one

Most pressings are opaque

I’ve been told that he was a stickler for making sure everyone was perfectly in tune and playing correctly within the ensemble

The question answers itself

Fagen’s Nightfly and Digital Sound — Do All the Pressings Have to Sound Like CDs

the right pressings give you the kind of low-end punch and midrange presence you hear on The Doors' first album (when you play the right Gold Label originals)

Fred Plaut the engineer for these sessions that took place on various dates in March

What We're Listening For On Wavelength

I’m wrong to think that such an approach would work

Fingers is one of my all time favorite records

wonderful texture to the strings