Martha Gellhorn: The war writer in the field and in the text

Martha Gellhorn: The war writer in the field and in the textSt. Louis born Martha Gellhorn (1908 98) was the doyenne of twentieth century war correspondence. In this first critical study of her Second World War fiction and journalism, Kate McLoughlin makes the connection between Gellhorn's intrepid progress through the war zone and her textual construction of the woman war reporter.

we must carefully reconsider our attitude towards documentation

and itself becomes

The title of Li Yu’s film Lost in Beijing evokes the experience of many first-time visitors to China’s bustling capital

and how their ideals relating to their work are expressed and aspired to in everyday practice

and contributes much to the ongoing debate of the possibility for change through social

when broadcasters began adapting such television shows as Big Brother

creativity and technology

sexual theatricality and the refusal of theatricality altogether

the book aims to ‘reconstruct’ television’s coverage of the cinema as crucial to the fabric of British film and television culture at the time

<i>The Incredulity of Father Brown</i> pulls no punches

it redesigns digital ethics so that it can address the problems of the global network society

once so interested in the advancement of the Negro race